I started out as an Electrical Engineer. I ended up a storyteller. The two disciplines aren't as far apart as they sound — both are about understanding systems, finding what connects, and making something complicated feel inevitable.
On screen, I write Atmospheric Realism and High-Concept Thrillers. My debut feature The Devil's Covenant won Best Horror Screenplay at Melbourne, selected at London Lift-Off and the British Horror Film Festival, and earned a place in the Writers' Room at Lift-Off Global. Two more features are in active development.
On the page, I'm a copywriter. Not the kind who dresses up mediocre products in clever language — the kind who actually believes that a single well-placed sentence can change what someone does next. I've written charity campaigns that moved people to donate, brand copy that made luxury feel earned, and emails with subject lines people couldn't ignore.
My background in screenwriting is the unfair advantage. I know how to build tension across a paragraph, how to make a reader feel something before they realise they've been moved, and how to end on a line that stays with you. That's not a copywriting skill — it's a storytelling one. And it's what I bring to every brief.
MA Filmmaking — University for the Creative Arts (UCA Farnham)
